We have been rooting for RAC ever since we first heard André Anjos sticking his fingers into all our favorite tracks. Over the years we have seen him take on Edward Sharpe and The Magnetic Zeros, Tokyo Police Club and The Morning Benders producing some phenomenal results.
Recently André was able to celebrate the fact that the RAC facebook page had hit 10 thousand followers. As a special gift to the fans he has released a sugar sweet cover of the Smashing Pumkins classic ‘1979‘ featuring the vocal skills of his wife Liz. Here is a bit of an explanation about this song.
Congratulations RAC, here’s to many more amazing remixes and covers.
September 13th was a difficult day for me. I was trying to recover from my weekend at Bestival when I opened my laptop to be confronted with the horrible news that Dj Mehdi had died during the night. He was actually performing at Bestival two earlier but I decided not to go see him this time because, being part French, I was sure ‘I could see him whenever‘. The circumstances of his death where also dismaying if not entirely clear; all we know is that he fell to his death whilst celebrating the birthday of his close friend Riton.
I highly respect Mehdi for his contribution to music and especially for his ability to successfully bridge over between hip-hop and electronic music where most would have easily failed. His influence over the French scene is undeniable, be it during his hip hop era where he collaborated with leading French rappers such as Booba or McSolar or when entering the Ed Banger clan which led to some of the most amazing electronic tunes such as ‘Signatune‘ or ‘ I Am Somebody‘.
Ed Banger, arguably the best electronic label at the moment, has lost one of its stars and all my thoughts go to his family and friends. I hope that his devotion and love for music will be remembered and inspire a new generation of talented DJs both in France and worldwide who are able to bridge the gap between genres in the way that he did.
Have you ever been painting whilst there was a riot outside your window? I have. I was listening to ‘IFUCKINGLOVEYOU‘ by Big Black Delta. It was poignant.
It was as chaotic as it was beautiful in equal measures (Try mixing M83 to The Strokes), much like what was on my canvas in contrast to the thieving bastards kicking in windows outside.
Jonathan Bates, of whom Big Black Delta is his solo project states, it’s all about context: “If you didn’t have standard pop music as a reference, what would your pop music sound like?”
Well, Batesy you have a ruddy good point. Anyways, I suppose we should talk about you now.
‘BBDLP1‘ is the debut album from this creative wizard who incidently has worked extensively with similar mastermind Anthony Gonzalez aka M83.
It would be easy to say that this is where BBD have got their chops, but I think that would be doing them a great disservice. It would be also unfair to say phrases like ordered chaos to describe this LP. ‘BBDLP1‘ is the work of a soundscape artist who happens to have all the traits of a gifted and concise songwriter too.
‘IFUCKINGLOVEYOU‘ is a bomb exploding on a Picasso. All the beauty merging with all the ugly; The tight melodies are shards penetrating the canvas and residing deep beneath a surface of colour and chaos. There are some great sounds in this song, from angular bass synths to the huge choir that it opens with. The vocals seem to jerk from aching, emotive phrases to the manic punk rock banshee wails.
In the same vein, the dark moment of joy that is ‘Roost‘ and brooding, vocoder lead ‘Put The Gun On The Floor‘ that opens the album, roll like a train through the night; chugging and swelling in a vast space, pistons exploding into life.
As I said before there, minus the instrumentals such as the closer ‘Gimme A Ride‘ (that does sound like it belongs on the opening credits to ‘The Hitcher), these are for all intents and purposes pop songs, but they have been laboured over with some terrific sounds. ‘Betamax‘ is almost kitsch but rocks along 80′s fashion like Talking Heads.
Going back to what Jonathan Bate‘s said about pop music, I think the best way to describe ‘BBDP1‘ is an 80′s pop song that’s been completely fucked with. For the good of all mankind.
The last time we wrote about The Middle East back at the beginning of 2010 we envisaged great things for them. Just as we were getting excited by the prospect of the release of the Australian‘s full-length debut ‘I Want That You Are Always Happy‘ we found out they had decided to call it quits.
Here is the video for first single ‘Jesus Came To My Birthday Party‘ which showcased how much potential the band had. Hopefully the memebers will return in some form or another in the future.
‘I Want That You Are Always Happy‘ is out now on Missing Piece Records
Howling Bells just released their new album ‘The Loudest Engine‘ earlier this month on Cooking Vinyl preceded by first single ‘Into The Sky‘.
The London-based Aussie-formed band recorded in Las Vegas with production duties handled by Mark Stoermer of The Killers. The result is an album soaked in 70s sounds and seemingly influenced by the Nevada state’s expansive desert and it’s most infamous city.
The video for ‘Into The Sky‘ takes this psychedelic message that seeps through these recordings one step further with front woman Juanita Stein looking particularly comfortable in these Austin Powers-esque visuals.
Cougar favourites WHY? Are returning to England with some special dates planned for October. The multi-talented trio have announced a set of unplugged and personal shows and have handpicked some intimate and warm venues this time round.
Expect to hear all the classics from “Oaklandazulasylum” and “Elephant Eyelash“, “Alopecia” and “Eskimo Snow” as well as a first taste of the yet to be titled fifth album In what will be the band’s only UK performances this year.
Here are the dates for the shows presented by One Inch Badge and Tidal Shift Concerts:
- 23 Oct – Colston Hall 2, Bristol (Grade II listed building and fully functioning gig venue)
- 24 Oct – Union Chapel, London (Grade II listed building, a working church and sublime sounding venue for live music)
- 25 Oct – Duke Of Yorks Picturehouse, Brighton (the oldest functioning cinema in the country)
Anyone who has seen Yoni Wolf and co. live will tell you this is going to be a special one!!
LightGuides released their mini-album ‘Samba Samba Samba‘ earlier this month on Alcopop Records. We caught up with drummer Dave to discuss the ‘veggie challenge’, the healthy state of Scottish music and that elusive Jay-Z and Beethoven collaboration. And it goes a little like this:
Cougar Microbes: What time did you wake up today? Was it out of choice or necessity?
LightGuides: I think around 9:30am? We crashed at Richie (Jumping Ships) house after our Hastings show, which was lovely. Rich is very hospitable, all the Ships boys are! Unfortunately we woke up out of necessity as it’s a fairly long drive from Brighton to Leeds and we wanted to make sure we had plenty of time to get to the Leeds show today.
CM: Describe LightGuides to the uninitiated?
LG: I think we have a touch of early 00s American pop-punk (The Starting Line, Blink 182, New Found Glory), a dash of early-mid 00s Brit post-hardcore (Hundred Reasons, Reuben, Biffy Clyro) topped off with a spot of more recent Scot rock (Twin Atlantic, The Xcerts).
CM: How have you been killing time on the road, hobbies?
LG: Well Martin (guitar) and myself have taken the “veggie challenge” on the road, so it’s been fun trying to find decent vegetarian food, we are completely hooked on falafel! A lot of the Southern dates on this tour we’ve never been to before, so it’s been great taking the camera out and going exploring. Going out for beers is always a great way to kill time; we had a lovely night on Brighton beach drinking copious amounts of beer and wine on Saturday. Mark (vocals, guitar) and I went for a swim in the sea, boy is that a great way to sober you up!
CM: What have been your favourite venues to play? Any Venues you hated?
LG: I think our favourite venue on this tour so far has been the Old Blue Last in London. It had everything; great bands, great venue, great crowd, and it was really nice to catch up with friends and also Jack (Alcopop! Records’ Big Boss Man). Although I know we’re all really looking forward to the album-release show at King Tuts in Glasgow, it’s the last day of the tour too so hopefully we can end it with a bang!
CM: Is there a song you are simply sick of playing? Do you think that will ever happen?
LG: I don’t think there is a song I’m sick of playing, I guess when you play a song live there are so many variable factors (the onstage sound, the crowd reaction, the venue itself) so there is always a kind of freshness to the track. The songs we’ve been playing live for over a year, maybe we’re a bit tired of practicing these at rehearsals but once onstage it’s as exciting playing the oldies as it is the newbies.
CM: What is the songwriting process like for LightGuides. Are you able to write on the road or do you do this in your off time?
LG: Usually the guys will allocate time in our practice studio to jam out some ideas, and once they’ve got a general structure and the foundations to a song I’ll come in and give my opinion, and we’ll usually tweak it here and there. Then I’ll figure out what drum patterns I’m going to use, and Mark will start thinking about vocal melodies and lyrics. We’ll then sit down and go through the melodies and cement down the lead and backing vocals. It’s easier for the guys to do this is the studio than on the road, they find it slightly more relaxing and peaceful jamming out there, when we’re on the road things are usually pretty manic!
CM: Favourite LightGuides track and why?
LG: My favourite track would have to be ‘The Arts Factory’, it’s just really fun to play but at the same time quite demanding to play live, it’s a nice challenge. I think we’re all agreed on this one, it’s Martin and Mark’s fave too.
CM: If you could record any cover what would it be?
LG: Whitney Houston’s ‘I Wanna Dance With Somebody’. That song just makes me want to have a good time, all of the time.
CM: Do your songs go through many revisions via demo recordings?
LG: Not really no, we spend a fair amount of time working on the songs at the time of writing and sometimes we’ll touch certain areas up once we’ve listened back to demo recordings, but the foundations of the songs never really change.
CM: What came first, the lyrics or the melody?
LG: THE MELODY. Usually we get all the instrumentation of the songs sorted, before figuring out melodies. Mark will start writing lyrics once he has a good idea of what the melody of the song is going to be.
CM: What are your views on auto tune?
LG: I’d be a hypocrite if I said I didn’t agree with it as we’ve used it on our recordings, but only ever really to polish a vocal-pitch. What I would say is; in the recording process it’s really useful, but only in moderation. I’m not a huge fan of the current branch of pop-artists who rely heavily on auto-tune (so it sounds like their voice is half-human-half-keyboard), but I think it’s a bit of a fad and we probably won’t still be hearing that kind of pop music so much this time next year.
CM: Any other band/bands from your local scene we really should know about?
LG: There are some really great bands coming out of Scotland right now, here’s a little list : The Lafontaines, Fatherson, There Will Be Fireworks, Endor, Carnivores, Aerials Up, The Winter Tradition, Make Sparks, Pareto, He Slept on 57, French Wives. Sorry that little list ended up quite expansive! I highly recommend checking out any/all of these bands.
CM: Most flattering thing you’ve read about yourselves?
LG: To be honest if anyone says anything remotely nice about us we get really flattered! When people show an interest in the band it really brightens up our day. If I had to choose one though it would be the recent album review Rock Sound magazine gave us, were they stated ‘The Arts Factory’ is right up there with the best songs of the year. To hear that from a publication we ‘ve been reading for years and really respect is amazing to us.
CM: What was the first record/tape/cd you ever bought?
LG: I’m pretty sure it was ‘Crocodile Shoes’ by Jimmy Nail, and at the same time I bought Bon Jovi’s ‘Someday I’ll be Saturday Night’. Big Jon Bon uses an expletive in that song and I used to love screaming it as loud as I could: “My life’s a bargain basement, all the GOOD SHIT’S GONE”, haha.
CM: What was the last song that got stuck in your head?
LG: ‘Edith’ by Tellison. It’s always the 1st song on our playlist when we hit the road, great for perking you up for the drive. Also ‘Movers and Shakers’ by Jumping Ships, the boys have been opening their set with it and I’m pretty sure at any given moment someone in our band is singing it, albeit usually singing the wrong words!
CM: What was the last show you paid and queued up for?
LG: Endor at King Tuts in Glasgow, and coincidentally they’re the next band I’ve bought a ticket to go see. They are playing a 10-year anniversary show at The Captains Rest in Glasgow just after we finish tour, will be a great way to combat post-tour blues.
CM: If you had to bring on artist back from the dead in exchange for sending a living artist down ,which artists would it be and why?
LG: I’d probably say John Lennon. I don’t actually listen to the Beatles too often I just think it would be really interesting to see what they would be doing now, if they would still be together, if so what style of music would they be writing. Mark is driving beside me and his choice would be Beethoven, because he’d like to see his take on modern music. Can you imagine Beethoven guest-rapping on the next Jay-Z record? That would be sick!
LightGuides’ mini album ’Samba Samba Samba‘ is out now on Alcopop Records
On a recent trip back to London I was flicking through my brothers fancy new freesat box when I heard a band that sounded very familiar playing in the background. Turns out The Whip are finally releasing a follow up to their 2008 debut ‘X Marks Destination‘ and it was about time!
‘Wired Together‘ sees the Manchester three-piece return with the same frantic beats and sweet melodies but their songwriting has seemingly evolved becoming more ambitious encompassing different moods.
Evidently the 6 months spent in the studio with produced Jagz Kooner helped the band get their creative juices flowing.
‘Wired Together’ is out on the 26th September 2011 on Southern Fried
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We have been rooting for RAC ever since we first heard André Anjos sticking his fingers into all our favorite tracks. Over the years we have seen him take on Edward Sharpe and The Magnetic Zeros, Tokyo Police Club and The Morning Benders producing some phenomenal results.
