Tv On The Radio didn’t take too long to follow up 2009′s brilliant ‘Dear Science,‘ and as usual didn’t disappoint. This time the Brooklyn outfit set up camp on the West Coast and the sunnier climate appears to have seeped through to these tracks.
With another mild change of direction the tracks on ’Nine Types Of Light‘ have borrowed some of the horns from its predecessor but definitely comes across as a more laid back affair.
Lyrically frontman Tunde Adebimpe and singer-guitarist Kyp Malone seem less preoccupied with tales of apocalypse and the end of the world and more focussed on making sure you tell the ones you love exactly how you feel for them. That this would be the last album Gerard Smith would appear on before his untimely death makes this all the more poignant.
Meanwhile, special praise should go to guitarist and producer extraordinaire Dave Sitek for realizing that the band’s sound needed a tweak and for incorporating some of the ideas he has been involved with in his “other” projects recently. TVOTR haven’t lost the electricity that initially made us fall in love with them, they have just refined the way they administer it to us.
Last year I sat through a blogger and A&R roundtable organized by one of the majors in London. In between talk of “organic artist growth” and “breakout singles” The name of the Odd Future Wolf Gang Kill Them All, and more specifically Tyler, The Creator‘s ‘Yonkers‘ video, came up several times as the label people seemed genuinely baffled by the success the collective were enjoying and the way they had gone about it.
Then in May he followed this up with his first non-independently released album ‘Goblin‘ acting as a metaphorical punch to the stomach. In between persistent arguments with his inner voices, tongue-in-cheek suggestions that we ”kill people, burn shit, fuck school” and general disclaimers to his position as hip hops posterchild Tyler spits some of the best venom since Eminem’s debut album.
Cole found himself asking ”Is ‘Goblin’ a comedy album? I still don’t know. Tracks like “Yonkers” are dark, featuring samples that seem to be pulled from horror films. The rhymes constantly reference murder and explicit sex, and flow slowly as if they were first written to be high school poems. The album confuses me to no end, and I can’t stop listening to it“.
The musical superduo Ashtar Command, composed of Chris Holmes (Sir Paul McCartney‘s go to DJ) and Brian Liesegang (Founding member of Filter) first showed up on our radar with a track on the PS3 game ‘Red Dead Redemption‘. Their debut album ‘American Sunshine‘ was an unexpected and delightful revelation.
Chief Cougar Microbes collaborator Kyle hailed it as an “incredible masterpiece that should be known collectively throughout the web as the most underrated album of 2011 .
The album is slightly conceptual, non-surprisingly themed around an “American Sunshine” indie-super-collabo-album idea. Which basically means they have everyone from Har Mar Superstar, Rachel Yamagata and Alex Ebert, to Joshua Radin and Z. Berg doing their thing.
However it never feels that these artists were just added in ‘just because’. There is no gimmick here, its pure music. The tracks combine a range of haunting algorithmic synth-outs to indie progressive rockfests that leave your ears and soul wanting more.
Hopefully Holmes and Liesegang feel that yearning and continue to release incredibly original and unique musical experiences long into the future. If 2012 isn’t the end of the world that is“.
It feels like it was only yesterday that we started hearing about The Decemberists. It amazes me to think that the band has released six official studio albums earning a spot amongst indie rocks biggest success stories. Cougar writer Emily added them to her list describing ‘The King Is Dead‘ as “A folky album with well-crafted song after well-crafted song; it is the quiet and beautiful dark horse in my collection this year“.
Jazmin mused that ” Something that makes The Decemberists one of my favourite bands is their ability to make each of their albums so very different but yet distinctively Decemberists-esque. The folk undertones of ‘The King is Dead’ are absolutely no exception.
Perhaps their best album since ‘Your Majesty’, ‘The King is Dead’ is the perfect mix of beautifully crafted acoustic melodies such as ‘June Hymn’ and singalong anthems such as ‘This Is Why We Fight’. If the best bands are those that keep evolving, The Decemberists’ 2011 outing is a case study in why they’re already a step ahead of the rest“.
A double album in this day and age is perhaps a tad over ambitious but if anyone could have pulled it off it had to be monsieur Anthony Gonzalez of M83 fame.
For his sixth album outing Gonzalez succeeding in making an album that would satisfy his loyal internet following as well as imprinting itself on the minds of causal listener. The result is a flurry of vaguely related genres delivered with majestic quality.
Our boy Thom said that “the sound of M83 can both rush me back to my eighties upbringing whilst harmoniously keeping my spirits high for the whole of the music industry. ‘Hurry Up, We’re Dreaming‘ was as epic as the title suggests. ‘Midnight City‘ was my favorite single of the year“.
Olivia then concluded sweetly saying she “could go on and on about this album but I’ll make it short : it simply is my favourite for this year and probably one of the most breathtaking album I have ever listened to. Anthony Gonzalez at his best!’
With “Swag” seemingly chosen as the buzz word for 2011 it was appropriate that Jay-Z and KanyeWest‘s long rumored collaboration had tons of it. . Having set the bar very high with last year’s ‘My Beautiful Dark Twisted Fantasy‘ it seems anything Kanye touches turns to gold and Jay-Z also has the midas touch again reminding us how much better than everyone else he is. ‘Watch The Throne‘ gives the rap megastars an opportunity to make as many outlandish and likely true boasts as they possible can over a tight production.
Cougar scribe Olivia said: “Take Jay Z and Kanye West, you expect something epic, huge and over the top ( just like the massive promotion around the album ), a mix of Kanye‘s creativity and Jay‘s flow , so something perfect basically. Indeed it is a great album. Considering the amount of talent in this twosome have that’s not too surprising“.
Metronomy‘s 3rd release seems distant from the discopop the band first made their name for. Frontman Joseph Mount re-imagines his home town of Totnes in Devon as a sun kissed and hip destination where people come to relax and forget about their troubles.
It may be slightly removed from the truth, global warming permitting, but this thematic idea acts as the pillar upon which the band build their pop gems.
Cougar writer Olivia said of ‘The English Riviera‘ that “Metronomy‘s style keeps on changing or rather ‘evolving’ as band members come and go, so sometimes it’s quite difficult to follow. ‘The English Riviera‘ sounds nothing like their previous albums, but rather resembles something Hot Chip or Phoenix would cook up.
The music encompasses both dance and indie music building on a basic beat and catchy vocals. It’s a simple formula but it definitely works“.
Recorded in his off time from touring this album sounds like the stripped down extension of his Edward Sharpe persona. Ebert dips into and mixes different influences from Dylan to Springsteen in what is a spontaneous mix of ideas all loosely linked under the folk umbrella.
Cougar writer Thom said “although Alexander Eberts solo effort didn’t quite match the epic ‘Up From Below‘ of his dayjob, what it did deliver was painfully pretty and haunting concise pop songs. It is modest, timeless and irresistible“.
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