Last month the Grammy award-winning British house duo Dirty Vegas return with their brand new single, ‘Do What You Feel’ – taken from their new album, ‘Photograph’ out this September on Italian dance label D:VISION.
Charged with acoustic guitars and feel-good vocals, ‘Do What You Feel’ is just the kind of vibrant summer anthem you’d expect from the South London lads, who first shot to fame in 2001 with their iconic debut single ‘Days Go By.’
Paul Harris and Steve Smith have been making music together for nearly 20 years. 2001’s debut single ’Days Go By’ catapulted them to Grammy success, winning the group Best Dance Recording. In the rollercoaster two years that followed, they released their eponymous debut album and headlined their own worldwide tour, in addition to supporting like-minded artists such as Moby, Underworld and GrooveArmada. They went on to sell over 1 million albums and were named No.6 in Billboard Magazine’s ‘Top selling Electronic artists of the 2000’s’.
All eyes are now on their fourth album, ‘Photograph’ due out later this year, featuring the new single, ‘Do What You Feel’, and last year’s ‘Let The Night’ alongside nine other brand new tracks. ‘We feel like this new album is some of our best work to date,’ says DirtyVegas. ‘It’s a journey back to our club roots.’
Check out the excellent remix package if you have a chance.
Singer/songwriter Jen Charlton has led a nomadic life calling NewYork, London, Toronto and Tel Aviv her home at various stages of her career and this cross contamination of cultures has seemingly seeped into her music.
Her latest single is deceptively upbeat with a deeper/darker layer lurking below. Even though it was released earlier this year it seems like a great track for summer
“Blame It On My Family”, produced by Yves Galula, showcases an artist who is comfortable in her own skin delivering a pop burst that you will want to return to again.
Judging by the increase of emails in our inbox quote-unquote guitar music is making some sort of a comeback in 2015 spearheaded by the comebacks from the likes of Refused and Faith No More as well as a slew of young bands who have stepped up to take their mantle.
One such band sitting in the wings waiting to shine is Coma7 who are gearing up to release their debut EP ‘Hunger‘. In their 5 year’s existance the band has seen more than it’s fair share of ups and downs including the shocking murder of their former guitarist Eran. Faced with such adversity most artists would crumble but somehow the Israeli 5-piece has found a way to channel their anger and frustrations into their music. The result is a calculated burst of energy seasoned with emotion.
The release is preceded by the excellent DIY stop-motion video for the track ‘No More War‘, a formidable behemoth that sets out the band’s agenda from the get go. The track is the sonic equivalent of someone smashing your door down and proceeding to improve and decorate your entire home, exploding through the headphones like there is no tomorrow before firmly implanting it’s melody in your mind.
Make no mistake, this is not the kind of music you are likely to hear on mainstream radio but scratch beyond the surface and you will find plenty of melodies to go around and an unmistakable groove to nod your head to. Furthermore, the lyrical theme offers a refreshingly honest window into how the band feels.
Fans of the aformentioned Refused as well as Rage Against The Machine will appreciate the blend of aggressivness and passion displayed on ‘No More War‘ and it’s partner track ‘Yeti‘.
Coma7 will release their ‘Hunger‘ EP in September 2015 and plan to tour in 2015/2016
Los Angeles based artists vōx returns with “Put The Poison In Me“, a track that sees her stripped down to just her haunting vocals and a piano accompanyment. Previous releases incorporated a melancholical electronic element but on this latest outing she shows she is equally comfortable when the light shines directly on her.
The track is part of a limited edition Vinyl EP released by Turntable Kitchen. Check out her previous output and put that name vōx on your ones to watch list for 2015/2016.
When I heard the news that ‘David Bowie is’ – possibly one of the greatest retrospective of this generation was coming to the Philarmonie de Paris, I was more than thrilled. I was even more excited because my lack of organisation has led me to miss the exhibition at the V&A back in 2013. This time I was not going to miss it.
David Bowie is a living alien genius, his contribution to music, art and fashion is undisputable and this exhibition definitely fulfilled my expectations. Word has it that he visited it under disguise at the V&A on it’s opening day, I really wonder what he thought of it.
Everything you know/do not know/need to know about Bowie is there. Lyrics, original his stage AMAZING costumes, photographs, album artwork, rare performance material, set designs – everything is there. To the point that one may feel like they are, for an hour or so sharing a special and unique experience with the master himself.
Everything about this exhibition is flawless. I loved the fact that the music changed depending on where you were in the room. You’d be looking at artwork from the era of ‘Young Americans’ and hear ‘Fame’ in the backrground. His metarphosis throughout the ages from Major Tom, to Ziggy Stardust, Aladdin Sane to Halloween Jack is central to the exhibition vbecause it’s central to his life and to his work.
The omnipresence of Bowie (he IS everywhere) somehow makes you feel like he is there with you, or at least his body is. I never felt so close to him. And I loved it.
The exhibition is touring all over the world so don’t miss it. A few dates : It ‘ll be in Melbourne from the 16th July and Groningen from 15th December 2015.
After making waves with his output to date acclaimed Spanish arist, DJ, producer and composer Ed is Dead, AKA Edu Ostos, introduces his genre bending debut album ‘Change‘. The lead single “Praise“,feat. Odille, can best be described as eclectic and we mean that in a good way.
Edu himself describes his sound as “Queens of the Stone Age, Maceo Plex, The XX and Queen, getting drunk and making music” and it’s this refusal to play by the rulebook of any single genre that makes ‘Change‘ such an enjoyable experience. Featuring a selection of top collaborators this is one release you don’t want to miss.
After music press (quite rightly) went a touch giddy for their debut album ‘Take It Personal’ back in 2012, Philco Fiction toured Europe and China before settling back in Norway to record their new album. After signing to quality indie label ‘Killing Moon’ in the UK (Fickle Friends, Racing Glaciers, Malpas) we are happy to share the first track with you, right now.
‘Bodies’ features Philco Fiction’s signature atmospheric all-engulfing sound – as we often expect from the Scandies these days – but it’s also the affecting delicacy of this tune that hits home. Singer Turid Alida’s haunting voice combined with intricate electronic arrangements leaves a pure fingerprint on our sullied souls.
“It’s ten past Saturday. Call my name – make me stay. I got time if you need to waste it with me. Don’t let my body walk away.”
As-yet-untitled album details to be announced later in the year. Bodies is out now.
Ronny W recently released his brand new video for the single “Never Gone” to coincide with Memorial Day in the United States. This date wasn’t selected at random considering the track’s lyrics were co-written with the Semper Fi Sisters, a charity helping veterans find their feet.
Ronny himself is a veteran of the IDF where, as a tank commander in Lebanon in 2006, he was severely injured and left paralysed from the waist down. Such a tragic outcome would have broken most men but Ronny is not most men. Instead he immersed himself into his music even appearing on the Israeli version of X-Factor. This perservarance saw him relocate to Los Angeles in the past year to focus his attention fully on his music career.
On “Never Gone” he collaborated with longtime friend Ido Sagir who provided the accentuations with his fine Oud playing. It is this willingness to combine modern rock and pop elements with middleeastern influences that makes Ronny‘s music standout in his new town.
One thing is sure, this won’t be the last you hear from Ronny W.