Kosha Dillz recently unleashed his winning Haim sampling remix of the track “Been Down“. It comes with a suitably laidback video shot in Amsterdam and is well worth a spin.
Kosha is throwing his own official OY VEY! SXSW party on Wednesday 18th featuring acts from all over the world including scheduled performances from the likes of Gangsta Boo and Murs. If you are in Austin this week be sure to attend
In addition to releasing one of our albums of 2014Israeli mob Acollective also released their brilliant video for “Breakapart“, one of the standout tracks on said album. How many of the featured records do you recognise?
Acollective are currently on tour, make sure you check out their stellar show!
‘Eclectic‘ is one of those overused words that musos love to hate, but it would be hard to describe Mulato Pintado’s new album without letting that pesky adjective sneak in here and there.
Ranging from Hip Hop to Indie to Garage Rock with Pop overtones and Electronica, the rather awkwardly named ‘336 W 17th ST‘ is as multifaceted as it’s hard to describe – a musical journey through New York City‘s underbelly, peppered with potholes, traffic jams and U-turns.
It’s as if Lemon Jelly and The Pixies moved to the ghetto and gave birth to a multiheaded baby doped up on anxiety medication.
Mutado Pintado, AKA Clams Baker, is a mystery man of many talents, with fingers in many pies – he’s the vocalist in vinyl-only word-of-mouth electro success story Paranoid London, frontman in Warmduscher alongside Saul and Jack of Fat White Family, and vocalist in Save – his collaboration with Colder‘s Marc Nguyen Tan.
Scuzzy walls of sound crescendo into a soundtrack for a panic attack, but on the flipside we get moments of real heart, as you can seein the video for ‘The Tick‘ here:
This album is so fluid it’s probably a music marketeer’s worst nightmare. ‘Eclectic‘. And it doesn’t really seem like Pintado gives a flying fuck.
Officially out on March 2nd, it’s already up for streaming in full on Soundcloud. If I were you, I’d go and have a listen, the opening track, ‘King of the Worker Bees‘, is a great place to start.
It may only be the beginning of February but the mighty Lucille Crew have released a contender for video of the year. With it’s irresitible horns and memorable call and answer refrain “Big City” is a firm favourite in the 9-piece behemoth’s live set and now has a worthy video to accompany it.
Lucille Crew return to Europe for shows this summer. The much awaited debut “Lucille Crew: 9 Lives” will officially be released in early 2015.
I have loved Angel Haze‘s ever since she was dropping mixtapes and rapping on Eminem beats. Dropping her debut album while the credits where already rolling on 2013 meant she missed out on all those year end lists which is a shame because ‘Black Gold‘ was full of great moments.
If you have been keeping up with her on social media recently you will know she has been hinting at some new music for a few weeks now. Finally she’s released new track “CANDLXS” yesterday. Kicking off with a display of her rapping prowess the Troy Noka produced track then gives way to an eery indian flute sample which allow Haze to showcase her singing skills as well.
“CANDLXS” is the lead off track from Angel Haze’s new EP ‘In The Winter Of Wet Years‘, can’t wait to hear more!
Having achieved notable success in their native Australia, “Rock’n’Roll Surf Garage” collective Money For Rope serve up their first UK single release in ‘Easy Way Out’. Groove meets grit in this intense laid-back but poignant bluesy, rock number about not topping yourself. That’s good advice.
The music sits somewhere in-between the earthy skuzz of Ty Segall and the surfy haze of The Growlers with a healthy dose of Mando Diao‘s dirty euphoria. There’s also a nice B-Side (still a thing, apparently) in ‘Nova Pilota’ which will have you reminiscing of Vietnam circa 1967 in a purple haze of the Doors.
Also make sure you check out the video for “Easy Way Out” .
An album is scheduled for release early 2015 – get amongst it
Mac DeMarco‘s 3rd album reflects back on the ‘Salad Days‘ of his youth. This nostalgia for the past, combined with the experience that came from it, allows the bittersweet nature of being a slacker to be portrayed better than ever whilst also showing off his undeniable talent.
Having been 14 years without an album, D’Angelo was not rushing to get back into the industry unless he really had something to say. Recent developments in Ferguson incensed him to release the album early, with songs about the ingrained racism of a lot of Americas subconscious. Yet ‘Black Messiah‘ explores these tensions not simply by complaining about them but instead with a view to solving these problems through the pursuit of love and it is in this way that D’Angelo is truly prophetic.