I enter Highbury’s tiny Buffalo Bar on a freezing night expecting the venue to be crammed to the rafters with internet kids in the know, after all just a few weeks after this tiny debut London show was announced an additional night at the Borderline in central London was hastily added. I was sure that our Capital’s scene stalwarts and savvy donwloaders would be swarming by the hundreds and that this additional date was to cope with extra demand.
As I descend the few steps into the cold little venue I find myself bemused by the lack of bodies present… a couple of support bands, an idiotic gaggle of braindead teenage girls, some industry bods propping up the bar and that’s pretty much it. Sparse.
So Many Dynamos take to the stage rather late for a Tuesday night and I’m starting to suspect that whoever is “promoting” this show is a bit of a clown, all the better for me as I stand, view unimpaired by punter’s heads and take in the fine fine show. The band are relaxed and appear happy enough as they get down to business banging out tune after tune from their impressive ‘Loud Wars‘ début album.
As the final bars ring out I leg it for the last tube, disheartened with the state of the live music scene in this fine city, it’s a shame visiting bands are faced with such a venue/promoter lottery when making their first steps this side of the Atlantic and I really worry about the damage it could cause.
I’ve heard recently of some bands starting to skip the UK all together when heading into Europe for just this reason, an ailing industry having it’s faltering breaths clubbed out of it by clueless douchebags good for nothing but ripping off naive local bands night after night to make their cash.
With that in mind I sincerely hope for my sake if nobody else’s that So Many Dynamos are good enough to make the trip at least one more time.
Out of intense envy for everyone who is going to SxSW I considered a silent protest for the duration of the event. However, having featured Nevada’s Burning Man Festival a few days ago I figured the awesome Austin event deserves some Cougar loving too.
Besides, as you can see from the flyer above the guys at Vagrant are putting on showcase next week is below featuring some of the bands we have been covering on these pages. If you are out there drop by and make sure you tell them Cougar Microbes sent you.
Talking of Vagrant bands, It has been a while since I have written about Edward Sharpe & The Magnetic Zeros and that just can’t be right so here is a new remix of ’Home‘. Considering this is my personal favourite track anybody fiddling with is heading into risky territory. I’m glad to say André Anjos of RAC manages to pull it off creating a track that is unique in its own right yet doesn’t hide the source material entirely from the listener.
Though the name Burning Man Festival has always beensomewhat familiar my knowledge basically extended to the fact that it is hosting in the middle of the desert and a huge effigy of a man is traditionally burnt on the last night. Last year couple of my colleagues raised my interest when they came back from the event raving about their experiences. Their stories and photos showed a unique environment and a festival unlike any other.
The footage of Sharam’s first experience only served to heighten my curiosity as the DJ, who has probably seen a lot of the world, looks genuinely stunned by the sheer scale and craziness of it all.
I want to get my camera out there and shoot those crazy structures. Maybe I should start looking at flights towards Nevada now.
The White Stripes just don’t seem to do things by half measures. In 2007 the duo set out to play every single province and territory across Canada to celebrate their 10 year anniversary. On the 16th of March they will be releasing the much anticipated boxset ‘Under Great Northern Lights‘ capturing both the on stage euphoria and their intimate off-stage connection from that tour.
In addition, for all you photographers out there, the band have teamed up with Lomography for a competition featuring your interpretation of the ‘Under Great Northern Lights‘ album title. Get snapping!
Last Saturday night Cougar Microbes was out in force spinning tunes once more at what is quickly becoming a home from home ‘South Of The Border’ in Old Street. To top the night off perfectly Cougar faves Kick Up The Fire played a blistering set closing with a particularly raucous offering of ‘These Canvas Shoes’.
Black Rebel Motorcycle Club burst onto the scene in 2000 with ‘B.R.M.C.‘, a rollicking, reverb-drenched, fuzz laden album of face punch rock. “Love Burns” from that LP still has the capacity to send chills down my forearms. Their follow up LP, “Take Them On, On Your Own” offered more of the same power that could steam-roll you flat if you weren’t bothering to pay attention, but offered little departure from ‘B.R.M.C.’ and fell flat for me.
And then along came ‘Howl‘, an album that if I hadn’t seen them perform live, I wouldn’t believe it was even the same band. How a band can go from the Jesus and Mary Chain to some back country gospel and blues in 2 years I will never know. It’s unabashed departure from their first two LP’s is so drastic that I’m very skeptical they could really mean any of it… an inside joke where they laugh a little on the inside when they coo “I will walk with Jesus, till I can’t go any more.” But that album is shit hot, inside joke or not.
‘Baby 81‘ offered a return to their original sound, but unfortunately the old sound resulted in an album of forgettable haze and noise, an average 90s throw-back album in modern day 2007. Enter ‘Live‘, a 2 DVD set with a bonus live CD. The CD covers three 2007 sold out shows in Berlin, Dublin and Glasgow and is basically just a random selection from the DVD, which is the real draw here (and which has been getting some solid reviews). Now, my idea of a solid live album is one that captures something that a studio version cannot: energy, showmanship, and a continuous stream of songs exactly as they appeared in concert, with the misplaced distortion, the occasional amplifier feedback, the short jokes between songs, the screams from the crowd, even the annoying chatter in the background.
But why an accomplished act, whose live shows happen to be their lifeblood, resort to a mixed bag of tunes from three different nights – three nights of varying emotion and vigor, of different weather, of different lunches, of different bus rides and fans – I will never know. A random assortment of songs with no intensity is the last attribute that should be attached to the term “live”. The songs that make up this album offer no heart and very few tracks should be repeated multiple times. If I want to hear the real BRMC, I’ll go back to the original studio cuts or to another live show.
My ideal BRMC album includes their trademark distorted melodies, with a heavy dose of their “Howl” inspired folk. Word on the street is that we’re going to get that from their March release ‘Beat the Devil’s Tattoo‘. I’m looking forward to the new album and hoping to forget ‘Live‘.
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I enter Highbury’s tiny Buffalo Bar on a freezing night expecting the venue to be crammed to the rafters with internet kids in the know, after all just a few weeks after this tiny debut London show was announced an additional night at the Borderline in central London was hastily added. I was sure that our Capital’s scene stalwarts and savvy donwloaders would be swarming by the hundreds and that this additional date was to cope with extra demand.
