Feb
11
2010
With the accessibility of music today, hearing bands and their influences through their music is inevitable and unsurprising. Unfortunately, for every appealing mockery you get 3,000 rip-offs. Robbers On High Street aping Spoon comes to mind and, of course, the popular rip-off artist of the moment Owl City, who practically admitted to copying The Postal Service sound.
Occasionally there are the rare examples where you say to yourself, “Wow, this sounds exactly like , <insert popular, genre defining band> but it’s still great!” and that’s just it; an act can tastefully wear their influences on their sleeves without sounding talentless.
For example, without Joy Division‘s moody, melancholic expression there would be no Interpol. The Brothers Wilson paved the way for the Fleet Foxes with their intricate and lush harmonies. Regardless of how ridiculous it may seem for preppy, educated white kids to dabble in world and afrobeat rhythms, the Talking Heads beat Vampire Weekend to the punch by over 30 years.
Although on a much smaller scale, Daddy Lion fall into the latter category. The unsigned band from Washington D.C sound like all of their influences (listed on their myspace) and they’re all the better for it. A hint of Joy Division can be heard on ‘Falling to Pieces‘, Hüsker Dü can be heard on ‘Just Die Young‘ and ‘Morning‘ could easily be a Dinosaur Jr. B-side slow burner.
According to NPR, it’s a bedroom breakup album by a semi-stalker using the name “Daddy Lion” as a pseudonym… you know… a typical stalker move. But stalker or not, his varying display of songs make for a good listen, and even though it’s a “break-up” album it doesn’t bog down with sadness.
Although they only have a 6-song EP to their credit, they cover a lot of ground in those precious 19 minutes, mining the past 30 years of pop influences. My hope is that they hone in on a specific genre for their follow-up, or risk falling into that previously mentioned latter category.
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This post written by Adam, aka Simon & Cougarfunkel
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Tracks available from http://daddylion.bandcamp.com/

View Comments | tags: Adam, Dinosaur Jr., Fleet Foxes, Husker DU, Interpol, Joy Division, owl city, Robbers On High Street, Spoon, Talking Heads, The Brothers Wilson, The Postal Service, unsigned, Vampire Weekend, Washington D.C | posted in Artist Spotlight, Global Reach
Dec
9
2009
Danish 5-piece The Kissaway Trial have seemingly gone Missing In Action since I saw them at Wireless Festival and subsequently wrote this glowing review.
Over the last few years the band have played with artists as diverse as Sigur Ros, Editors and Pasison Pit and silently honing their sound and stage performance.
The band are gearing for a return in 2010 with a new album on Bella Union titled ‘Sleep Mountain’ that triumphantly builds on the foundations the band laid down for their self-titled 2007 debut.
The first song to be unleashed from the upcoming release is the stomping ‘SDP’ with its six-minutes of buoyant energy. Fans of the bands previous output will draw parallels gems like ‘61’ and the awesome ‘Smother + Evil = Hurt’. Producer Peter Katis’ work with Interpol and The National may well have rubbed off on The Kissaway Trail because they look and sound more focussed than ever.
Sleep Mountain may well be one of the releases to look forward to in 2010.

The Kissaway Trial had seemingly gone missing since I saw them at Wireless Festival and subsequently wrote this glowing review.
The above statement is not strictly true as over the last few years the Danish 5-piece have been silently honing their sound and sharing stages with artists as diverse as Sigur Ros, Editors and Passion Pit.
The band are gearing up for a return in 2010 with a new album titled ‘Sleep Mountain’, out on Bella Union, that triumphantly builds on the foundations laid down for their 2007 self-titled debut.
The first song to be unleashed from the upcoming release is the stomping ‘SDP’’ with its six-minutes of buoyant energy. Fans of the bands previous output will draw parallels gems like ‘61’ and the awesome ‘Smother + Evil = Hurt’ and the trademark dual vocals are still at the forefront. Producer Peter Katis’ work with Interpol and The National may well have rubbed off on The Kissaway Trail because they look and sound more focussed than ever before.
‘Sleep Mountain‘ may well be one of the releases to look forward to in 2010.
TRACKS:
The Kissaway Trail – SDP


View Comments | tags: Editors, Interpol, passion pit, Sigur Ros, The Kissaway Trail, The National | posted in Artist Spotlight, Global Reach