From Belgrade to the World: Bones In Butter’s Debut Album

I’ve had a bottle of šljivovica, a type of Serbian plum brandy, waiting patiently on my shelf since summer. I can’t think of a better moment to pour myself a glass than right now. That’s because we’re thrilled to introduce Bones In Butter, the first Serbian artist ever featured on our blog. With their debut full-length album, Songs For A Sane Society’, the band smashes the proverbial bottle against the side of convention and unleashes 12 tracks that defy easy categorization.

Led by the multifaceted Milutin Krasevic on vocals, synths, and the creative force behind the music and lyrics, Bones In Butter crafts a pop soundscape that blends influences from the iconic sounds of the 80s and 70s with a daring experimental spirit. The diverse influences cited by the band, from the poetic lyricism of Lou Reed to the atmospheric allure of Joy Division, serve as an inspirational backdrop for the band’s approach to songwriting. Rather than being mere imitations or tributes, these influences subtly permeate the album, enriching its sonic tapestry without overshadowing its originality.

The album opens with “So Alone,” a captivating fusion of 80s pop melodies tinged with darker undertones. Krasevic‘s laconic vocal delivery possesses an endearing irreverent charm, and introduces a layer of intrigue, complemented by Luna Skopelja‘s ethereal floating vocals, creating a haunting sonic dichotomy.

Bones In Butter continue to showcase their eclectic range and commitment to experimentation with “Littlewing,” enchanting with its angelic harmonies and dreamlike guitars, delivering a meticulously crafted sound that feels like you’re walking on clouds. In contrast, “They Live!” channels the raw energy of 80s rock, delivering driving rhythms and aggressive guitars that harken back to the band’s punk influences.

A Dystopian Love Song” emerges as a moving exploration of modern anxieties, seamlessly blending electronic elements with poignant lyricism to craft a hauntingly beautiful ballad. Here, Bones In Butter delve into the depths of human emotion, offering an ethereal mood that reflects the complexities of love in an increasingly dystopian world. The atmospheric instrumentation creates an immersive listening experience, evoking a sense of longing and introspection. Themes of isolation, longing, and resilience resonate throughout the composition, offering a poignant reflection on the human experience in this digital age.

Diversity remains a hallmark of the album, evident in tracks like “This Is Not What You Promised Us,” where Bones In Butter leans into gothic influences with dramatic strings and ghostly vocals. On the flip side, “Sad Girl” offers a straightforward pop moment, with infectious melodies and jangly guitars that wouldn’t feel out of place in the Smiths‘ repertoire.

Among the album’s standout tracks, “Stop Dancing Now!” showcases Bones In Butter at their most experimental, employing disorienting synths and hypnotic rhythms that defy genre categorization. This track draws listeners into an enigmatic embrace, with each pulsating beat serving as an invitation to explore uncharted sonic territories.

As Songs For A Sane Society approaches its climax, “Scenes From The Metro” serves as a fitting finale, its haunting melodies and distant vocals creating a cinematic atmosphere reminiscent of a late-night metro ride. It proves Bones In Butter‘s ability to craft immersive songs that linger in the air like a cherished distant memory.

With Songs For A Sane Society, Bones In Butter have delivered a thought-provoking debut. The band’s exploration of diverse themes invites listeners to ponder the intricacies of the modern world, offering a sonic refuge in a tumultuous era. From the haunting melodies to the pulsating rhythms, Bones In Butter challenge expectations without forsaking their pop sensibilities. The nod to their heroes is evident, yet they manage to forge a path that’s uniquely their own.

As I type these final words, I’m sipping on the šljivovica for the first time, and it tastes hardy with a smooth finish, much like the songs on Songs For A Sane Society. So join me in raising a glass to Bones In Butter—here’s to the future, to the untold stories waiting to be told, and to the endless possibilities that await.

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