irina imme

Irina Imme’s Y2K binds that 2000’s energy in pure sonic bliss

Irina Imme’s Y2K arrives full of vigour with a four-track document of emotional survival that refuses to sit still. Born in the year that had the world convinced everything was about to collapse, Imme channels that millennial anxiety into something far more personal, almost feeling like reading someone’s diary and realising it could have been your own.

“Welcome Back” opens with disarming gentleness, acoustic and unhurried, luring you into a false sense of quiet before the full weight of what Imme is capable drops. The songwriting here is observational and precise, finding the extraordinary in the ordinary, a city, a shaft of light, a returning feeling that never left.

“Boxes” tears the door clean off its hinges. Punky, electric and immediately infectious, it captures the specific chaos of falling for someone and completely losing your footing in the process. The shift in energy between the first two tracks is not a contradiction, it is the whole point. Imme cannot be put into one box (pun intended) and she shows it.

“Rather Die” is where the EP earns its bruises. Vulnerable and unflinching, it sits in that uncomfortable emotional territory most artists skirt around, the admission that pride can be lonelier than heartbreak. Raw without being ragged, it is the EP’s emotional centre of gravity.

“Spicy Kids” closes things out with a restless, alt-pop energy, shaking off the weight of what came before without dismissing it. It feels like exhaling.

Find our previous EP reviews here.